This new member of the Oberheim synthesizer family offers the same characteristic sounds and synthesis functions as its sibling model, the highly acclaimed TEO-5 keyboard.
The TEO-5 features true analog oscillators and the legendary SEM™ multimode filter, which can recreate the classic Oberheim sounds that have shaped the musical landscape for decades. With extensive modulation options—including linear and through-zero FM—and modern effects, the TEO-5 Desktop Module offers new sonic possibilities.
The TEO-5 Desktop Module was designed for intuitive operation and includes the same control elements as the keyboard version. All synthesis functions are easily accessible via the top panel, allowing real-time adjustments and fine-tuning of sounds. Thanks to direct access, music creators can craft the perfect Oberheim sound in no time.
The TEO-5 Desktop Module is ideal for music studios with limited space. It is less than half the size of the keyboard version but offers the same exceptional presets and sonic capabilities. Its compact design integrates seamlessly into any creative workflow, making it a versatile addition to any setup.
OSCILLATORS
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5-voice VCO/VCF-based polyphonic synthesizer
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2 VCOs and sub-oscillator per voice
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Simultaneously selectable waveforms for each oscillator: triangle, sawtooth, variable pulse
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Oscillator 1 syncs to oscillator 2
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Dedicated X-Mod control on the front panel for through-zero FM
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Switchable key tracking per oscillator
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White noise generator in the pre-filter mixer
STATE VARIABLE FILTER
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Classic SEM filter with selectable band-pass mode
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State control morphs continuously from low-pass to notch to high-pass
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Bipolar filter envelope amount
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Velocity modulation of envelope amount
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Keyboard tracking
FILTER ENVELOPE
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Five-stage (DADSR) envelope generator
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Velocity modulation of envelope amount
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Freely assignable modulation targets
AMPLIFIER ENVELOPE
TWO LOW-FREQUENCY OSCILLATORS
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Five waveforms: triangle, sawtooth, reverse sawtooth, square, and sample/hold (random)
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LFO tempo synchronization
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Initial amount control
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Freely assignable modulation targets
MODULATION MATRIX
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19 slots x 19 sources x 64 destinations
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Flexible matrix design allowing nearly any modulation routing, including audio-rate sources and destinations
VINTAGE KNOB
AFTERTOUCH
CLOCK
ARPEGGIATOR
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Selectable note values: 16th note, 8th triplet, 8th note, dotted 8th, quarter note
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One, two, or three-octave range
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Playback modes: Up, Down, Up/Down, Random, Assign
SEQUENCER
EFFECTS
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Dedicated reverb with damping, pre-delay, decay, and tone
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Multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, Oberheim phase shifter and ring modulator emulations, vintage rotary speaker, distortion, high-pass filter, and lo-fi
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Dedicated overdrive effect
PERFORMANCE FEATURES
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Hold button activates sustain for all played notes
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Polyphonic portamento (glide)
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Unison mode (monophonic) with configurable number of voices, from one up to all five, and voice priority modes
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Manual button: when enabled, sound reflects actual physical control settings — "what you see is what you hear"
PATCH MEMORY
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256 user and 256 factory programs in 32 banks of 16 programs each
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Direct program access, including one-button access to the current set of 16 programs
INPUTS/OUTPUTS
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Left/Right audio outputs (2 x 6.35 mm jacks)
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Headphone output (stereo, 6.35 mm jack)
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MIDI In, Out, Thru
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USB for bidirectional MIDI communication
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Volume expression pedal input
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Sustain pedal input
POWER SUPPLY
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IEC AC input for internal power supply
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Worldwide operation supported: 100–240V, 50–60 Hz; maximum power consumption: 22 watts
PHYSICAL SPECIFICATIONS